In order to understand how he uses ghosts in some of his plays, it is useful to compare him with other playwrights of his time, and to examine contemporary debates about apparitions. Discuss the usage and effects that the supernatural elements have in both Kyd's `The Spanish Tragedy' and Shakespeare's Hamlet. Supernatural Elements in Shakespeare’s Plays Liwei Zhu Tianjin Polytechnic University, China Abstract—This paper analyzes the supernatural elements of Shakespeare’s plays from several aspects. Shakespeare’s use of magic was felt throughout the island, but also throughout “The Tempest”. Then, it analyzes supernatural elements in three of his great plays and introduces how the supernatural elements are represented on stage in old Elizabethan period and in modern times. For example, in… The dominant fear of kings and queens in the 16th and 17th centuries was that the devil or antichrist, through the agency of the Pope, would topple the English monarchy. Academia.edu is a platform for academics to share research papers. The supernatural aspects of “The Tempest” are very different from some of his other plays that involve magic like “A Midsummer Night’s Dream” with the fairies, and “Macbeth” with the weird sister witches. In Shakespeare’s time, many people believed in the existence of supernatural elements and witchcraft.
The three distinct categories that usually are used to describe these beings are spirits, ghosts and gods. Witchcraft and the supernatural has been a prevalent theme throughout theatre history, having many plays involving issues of witches, wizards, magic, ghosts, and other mysticisms. The following paragraph suggests the kind of focus these critics applied, which Because of the profound understanding of the beliefs of his time, Shakespeare was … Then, it analyzes supernatural elements in three of his great plays and introduces how the supernatural elements are represented on stage in old Elizabethan period and in modern times. Every man, woman, and child is influenced by the age into which they are born and Shakespeare was no exception. Critics such as C.Clark (Shakespeare and the Supernatural) ~Kd L.C.Sears (5hakespear~ts~Philosophy~~f~E~il)generally follow the moods suggested by the four supernatural plays as indicative of Shakespeare's mental and spiritual development. In two such plays, Hamlet and Macbeth, the supernatural is an integral part of the structure of the plot. Shakespeare knew too well that such supernatural powers might lose their influence if they are seen or appeared more than usual. Shakespeare’s use of the supernatural in Hamlet and Macbeth. Later it was described as a comedy with tragic aspects. Thus, the supernatural is a recurring aspect in many of Mr. Shakespeare¹s plays. Critics such as C.Clark (Shakespeare and the Supernatural) ~Kd L.C.Sears (5hakespear~ts~Philosophy~~f~E~il)generally follow the moods suggested by the four supernatural plays as indicative of Shakespeare's mental and spiritual development. Another important factor of the use of the supernatural element is the limited appearance of such powers in the Shakespearean plays. It first introduces the historical background of Shakespeare ’s writing career. Last, it provides the modern implications to the 21 st century viewers of Shakespeare’s plays. Last, it provides the modern implications to the 21 st century viewers of Shakespeare’s plays. Shakespeare was not the only dramatist of his day to put ghosts on the stage, yet the apparitions in his plays have effects on the living that are unparalleled elsewhere in Elizabethan and Jacobean drama. The Supernatural Elements of Richard III have a strange appearance in Shakespeare’s play. The following paragraph suggests the kind of focus these critics applied, which These supernaturalisms were smartly and masterly input into these plays by the master of wordsmith, Shakespeare, in order to increase the idea of supernaturalism and the tragedy elements into his plays.

Ghosts or supernatural beings feature both in The Spanish Tragedy, written by Thomas Kyd, in 1587, and in Hamlet, written by William Shakespeare, in 1601.

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